A Paperback edition by Simone Weil in English (Oct 15, 2014)
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A provocative mid-twentieth-century response to American partisan politics considers such topics as the modern political order and the negative influence of politics in education,... Read more
SIMONE WEIL (1909-1943) was one of the first female graduates of the Ecole Normale Superieure and taught philosophy in provincial schools from 1931 to 1938. A socialist, she worked for a time on the Renault assembly line and volunteered to fight against the Fascists in the Spanish Civil War. In 1938, a mystical vision led Weil to convert to Roman Catholicism, though she refused the sacrament of baptism. Weil fled France for the United States in 1942, where, in solidarity with the people of Occupied France, she drastically limited her intake of food, so hastening her early death from tuberculosis. SIMON LEYS's (1935-2014) writing has appeared in The New York Review of Books, Le Monde, Le Figaro Litteraire, and other periodicals. Among his books are Chinese Shadows, The Death of Napoleon (forthcoming from NYRB Classics), Other People's Thoughts, and The Wreck of the Batavia & Prosper. In 2013, New York Review Books Classics published The Hall of Uselessness, a volume of his collected essays. CZESLAW MILOSZ (1911-2004) was born in Lithuania. Among his published books are works of criticism (The Captive Mind), fiction (The Issa Valley), memoir (Native Realm), and many volumes of poetry. In 1980 he was awarded the Nobel Prize in Literature.
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Emerging from the thought-provoking discussions and correspondence Simone Weil had with the Reverend Father Perrin, this classic collection of essays contains the renowned philosopher and social activist's most profound meditations on the relationship of human life to the realm of the transcendent. An enduring masterwork and "one of the most neglected resources of our century" (Adrienne Rich),...
"A key influence on the French New Wave and the director of such iconic works as Pickpocket and A Man Escaped, Robert Bresson is one of the central figures of French cinema. Notes on the Cinematograph is not only his definitive treatise on film--its inherent peculiarity and potential--but an ascetic meditation on how art transcends, and is transformed by, the senses. Bresson upends inherited...
Europe in 1618 was riven between Protestants and Catholics, Bourbon and Hapsburg--as well as empires, kingdoms, and countless principalities. After angry Protestants tossed three representatives of the Holy Roman Empire out the window of the royal castle in Prague, world war spread from Bohemia with relentless abandon, drawing powers from Spain to Sweden into a nightmarish world of famine,...
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Don Diego de Zama, a lowly Spanish crown servant, is posted to a remote Paraguay capital and plots a transfer to Buenos Aires, as he sinks into despair, torn by petty grudges, loneliness, and paranoia.
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