Mikhail Bulgakov (1891?1940) was a doctor, a novelist, a playwright, a short-story writer, and the assistant director of the Moscow Arts Theater. His body of work includes The White Guard, The Fatal Eggs, Heart of a Dog, and his masterpiece, The Master and Margarita, published more than twenty-five years after his death and cited as an inspiration for Salman Rushdie's The Satanic Verses.
Richard Pevear and Larissa Volokhonsky (translators) have translated works by Tolstoy, Dostoyevsky, Chekhov, Gogol, and Pasternak. They were twice awarded the PEN/Book-of-the-Month Club Translation Prize, for their translations of Dostoyevsky's The Brothers Karamazov and Tolstoy's Anna Karenina. Pevear, a native of Boston, and Volokhonsky, of St. Petersburg, are married and live in Paris.
Boris Fishman (foreword) is the author of two novels, A Replacement Life, which was one of The New York Times' 100 Notable Books of 2014 and won the VCU Cabell First Novelist Award and the American Library Association's Sophie Brody Medal, and Don't Let My Baby Do Rodeo. His journalism, essays, and criticism have appeared in The New Yorker, The New York Times Magazine, the London Review of Books, The Wall Street Journal, and other publications. Fishman has taught at Princeton University and New York University. Born in Minsk, Belarus, he moved to the United States at age nine and now lives in New York.
Christopher Conn Askew (cover illustrator) is a painter and tattoo artist whose illustrations have appeared on the covers of books, albums, and magazines. He lives in Los Angeles.
When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; and, a young woman discovers strange puncture marks on her neck.
Explores the cosmological, moral and spiritual origins of man's existence. In this title, the author produced poem of epic scale, conjuring up a cosmos and ranging across huge tracts of space and time, populated by a memorable gallery of grotesques.
When his love for the Baron's daughter is discovered, Candide is cast out to make his own way in the world. And so he and his companions begin a breathless tour of Europe, South America and Asia, as an outrageous series of disasters befall them earthquakes, syphilis, a brush with the Inquisition, and murder, testing the young hero's optimism.
One of the great storybooks of the middle ages: a master storyteller from the thirteenth century recounts classic tales of Icelandic mythology along with a lesson to young poets on the importance of learning, respecting, and continuing traditional Icelandic poetic styles.
Obsessed by creating life itself, Victor Frankenstein plunders graveyards for the material to fashion a new being, which he shocks into life by electricity. But his botched creature, rejected by Frankenstein and denied human companionship, sets out to destroy his maker and all that he holds dear.
The Northern mill-town of Coketown is dominated by the figure of Mr Thomas Gradgrind, school headmaster and model of Utilitarian success. Feeding both his pupils and family with facts, he bans fancy and wonder from any young minds.
Tells the story of orphaned Jane Eyre, who grows up in the home of her heartless aunt, enduring loneliness and cruelty. This troubled childhood strengthens Jane's natural independence and spirit - which prove necessary when she finds employment as a governess to the young ward of Byronic, brooding Mr Rochester.
TRANSLATED BY MICHAEL GLENNYWith the ink still wet on his diploma, the twenty-five-year-old Dr Mikhail Bulgakov was flung into the depths of rural Russia which, in 1916-17, was still largely unaffected by such novelties as the motor car, the telephone or electric light.
WITH A NEW INTRODUCTION BY ANDREY KURKOVA rich, successful Moscow professor befriends a stray dog and attempts a scientific first by transplanting into it the testicles and pituitary gland of a recently deceased man.
In Soviet Moscow, God is dead, but the devil - to say nothing of his retinue of demons, from a loudmouthed, gun-toting tomcat, to the fanged fallen angel Koroviev - is very much alive. As death and destruction spread through the city like wildfire, condemning Moscow's cultural elite to prison cells and body bags.
Drawing closely on Bulgakov's personal experiences of the horrors of civil war as a young doctor, The White Guard takes place in Kiev, 1918, a time of turmoil and suffocating uncertainty as the Bolsheviks, Socialists and Germans fight for control of the city.
"My favorite novel -it's just the greatest explosion of imagination, craziness, satire, humor, and heart." Long suppressed in its native land, this account of strange doings in Moscow in the 1930s provides us with the essence of the sceptical, trenchant, unadulterated voice of dissent
WITH AN INTRODUCTION BY WILL SELF
The devil makes a personal appearance in Moscow accompanied by various demons, including a naked girl and a huge black cat. When he leaves, the asylums are full and the forces of law and order in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, can resist the devil's onslaught.
In this collection of short stories, drawing heavily from the author's own experiences as a medical graduate on the eve of the Russian Revolution, Bulgakov describes a young doctor's turbulent and often brutal introduction to his practice in the backward village of Muryovo. It includes the piece Morphine
The five, irreverant, satirical and imaginative stories contained in Diaboliad caused an uproar upon the book's first publication in 1925. Full of invention, they display Bulgakov's breathtaking stylistic range, moving at dizzying speed from grotesque satire to science fiction, from the plainest realism to the most madcap fantasy.
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